This discussion augments a talk I offer as part of the Humanities Montana Speakers Bureau.

The primary subject of the talk is Wilfred Owen's haunting poem "Dulce Et Decorum Est," a work that emerged from the trench warfare of WWI and is now considered a touchstone for cultural attitudes about war. In the presentation I walk the audience through the poem's three distinct layers—the narrative itself (the poem describes a horrific gas attack on a group of soldiers), the history of warfare leading up to and during the early 20th century, and finally what makes this poem a great work of literature.  Its greatness manifests on multiple levels—how it operates on the reader, how it changed the way we talk about war, and how it continues to spark discussion on the conditions under which a country chooses to call its young people to arms.

Whether you have attended the talk or just have a general interest in Owen and/or war poetry, please share your thoughts here.

Dulce Et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

GAS! Gas! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime...
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

— Wilfred Owen, 1917

Dulce et decorum est pro patria mori:
mors et fugacem persequitur virum
nec parcit inbellis iuventae
poplitibus timidove tergo.

How sweet and fitting it is to die for your country:
Death pursues the man who flees,
Spares not the hamstrings or cowardly backs
Of battle-shy youths.

— Horace, 23 B.C.

Tags: Speakers Bureau, current affairs, literature

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