

This discussion augments a talk I offer as part of the Humanities Montana Speakers Bureau.
The primary subject of the talk is Wilfred Owen's haunting poem "Dulce Et Decorum Est," a work that emerged from the trench warfare of WWI and is now considered a touchstone for cultural attitudes about war. In the presentation I walk the audience through the poem's three distinct layers—the narrative itself (the poem describes a horrific gas attack on a group of soldiers), the history of warfare leading up to and during the early 20th century, and finally what makes this poem a great work of literature. Its greatness manifests on multiple levels—how it operates on the reader, how it changed the way we talk about war, and how it continues to spark discussion on the conditions under which a country chooses to call its young people to arms.
Whether you have attended the talk or just have a general interest in Owen and/or war poetry, please share your thoughts here.
Dulce Et Decorum Est Bent double, like old beggars under sacks, GAS! Gas! Quick, boys!—An ecstasy of fumbling, In all my dreams, before my helpless sight, If in some smothering dreams you too could pace — Wilfred Owen, 1917 |
Dulce et decorum est pro patria mori: How sweet and fitting it is to die for your country: — Horace, 23 B.C.
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Tags: Speakers Bureau, current affairs, literature
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Jan Umphrey posted a blog post© 2012 Created by Ken Egan.