Deep in New Delhi

The Shadow of the Cobra

For Tommy

 

 

It was a hot and sultry day in New Delhi.  The Indian Spectacled Cobra raised its body from the worn basket, weaving in response to the vibrations of a familiar melody.

The music was a regular feature at the Chandni Chowk market.  Business was brisk; crowds bustled past the dancing cobra and its master, Avijit.* Children eyed the reptile from a cautious distance, behind the stalls, some seated on the bare cobbled streets.  There were inquisitive tourists, who stopped to snap a photograph of this unique spectacle, before being jostled by the throngs of early birds who came to bargain with the traders.  Daily commerce was critical to this corner of Delhi.

Avijit occupied the same small space.  The charmer revered the cobra, as a Hindu, their symbiotic relationship born of necessity.  The cobra was protected and fed while Avijit could earn a modest income by performing for the public every day.  Sometimes, the traders would spare a snack of na’an (bread), or lassi (cool sweetened milk).  The cobra was revered and so the charmer shared in the reverence and silent fear of Hindu, Buddhist, and tourist alike.

The music took Avijit back to a place in the past, a place he had not seen for many years.  In his mind, he would return to the village many miles away where his life began.  Avijit was born into the Sapera caste, his forefathers all accomplished snake charmers.  The first encounter with the cobra was very early.  His tired father had left Naja* in a basket on the floor and Avijit had crawled from his mother’s side to see what was in the basket.  He was much too close now and his mother was focused on the food she was preparing for their evening meal.  There was no sound except a whisper, the whisper of Naja, the cobra, coiled in the tattered basket by the door. 

Avijit’s eyes grew round and big, the serpent regarded the child, but perceived no threat and Avijit edged away instinctively.  There was an innate understanding between child and snake and so they survived the first of many encounters during the course of 8 years, until Avijit had to leave his home in search of money.  It was simple, there were too many mouths to feed and as Avijit’s appetite grew and more children arrived over the years, the immediate solution was to leave, so Avijit went out to find his way in the world.

His father presented him with a pungi* and a basket.  He told the young boy to find a snake in the forest and train it, but not until he had chosen a place to practice his trade.  His father was saddened to see his eldest son leave, but he knew that his chances were fair elsewhere in India.  Their village was Sapera;* every other dwelling housed a cobra and keeper, no place for a young snake charmer to start his career.  Avijit accepted his lot and walked north until darkness fell heavily upon his slim frame and his 8-year old feet grew sore.  This first night Avijit prayed especially hard.  He prayed for his uncertain future, for the strength and dignity to survive another day on God’s green earth among the sacred creatures of land and sea.  He prayed for his father, his mother and his sisters who chattered incessantly. 

Avijit wondered if his father had come home empty-handed again or if he managed to scrape together a few coins for na’an or rice or if he had charmed a meal to sneak home to his family.   Avijit painted a picture in his prayer, a picture of plenty, with full bellies, light and color.  Now, his prayer came alive and wrapped its warmth around his cold, frail frame.  On this night, Avijit slept with the Gods.  The next morning he awoke to emptiness, but a profound knowledge that he was not alone.  He roused himself, guided by the dreams and aspirations of his people.  There was no food now, no sweet milk, only the loud chatter of monkeys and birds. 

Avijit walked his way across India as his forefathers had done over the centuries.  Soon his legs grew tired and he stopped by the roadside to rest and fell into a deep, dark, dangerous slumber – so deep, the very life was going out of him.  Hunger, fatigue and various maladies had taken their toll.  Just as Avijit’s breath grew shallow and his soul was furthest from his earthly body, there was a whisper by his cold, wet face.  It was the cobra who hissed by his side beckoning soul back to body to live one last green day.

Slowly, Avijit crawled to the edge of a village and collapsed by a well, where he drank from the spring waters.  Avijit began to cry.  A young girl, Chandra* (moon), who had been working in the fields nearby, approached Avijit quietly.  She looked into his eyes and was struck by the desolation.  Chandra clutched him by the arm and guided him toward a small shack.  Soon he was sitting in a dark corner sipping on sweet milk and devouring paneer (cheese) and na’an.   Next Chandra served him some fresh mango.  When Avijit closed his eyes, he thought of his dear mother and sisters and wondered once again whether they had enough food.  It was so fine to be in the company of this pretty young girl, who had shared food and shade in the hot, dusty noon of day.  She had been working all morning and judging by the small hovel she called home, her family was poor.  Poverty was a fact of life for many here, and yet there was a joy in this desperation.  There was a fundamental respect and hospitality for the stranger regardless of circumstances.  Charity was customary.  Avijit graciously accepted complimentary food and board.  At the break of day, Avijit bid farewell to Chandra and the lucky village.  He prayed now for the villagers, their crops and children; and his prayers were answered with the blessings of abundant rains and healthy children.

Avijit continued until he reached the place they call Delhi.  He felt the warm sun upon his face and was dazzled by the colors of Chandni Chowk.  He entered the rainbow of Katra Neel,* this was where he stopped—surrounded by silks and satins; muslins and cottons.  Now the dirt and darkness was replaced with coral, indigo, magenta, emerald, peach, gold, vermillion…  Avijit blinked his eyes, the profusion of color at once so intense, blinding!  There was nowhere else to go.  He wandered through the crowded bazaar, full from the feast of color.  This would be his home now.  This was his place.

Glossary

Avijit* - Hindu boy’s name, which means invincible

Naja* - cobra’s name corresponding to the genus and species, i.e. Naja naja (scientific)

Chandra* - Hindu girl’s name, which means moon

Sapera* - caste, which includes snake charmers

Pungi*- snake charming flute instrument

Paneer* - cheese

Na’an* - bread

Lassi* - milky, sweet, cold beverage

Katra Neel* - section of the Chandni Chowk market in New Delhi where they sell fabric

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Hi Clair --

It's an interesting story with a lot of potential. Some suggestions:

-- try varying the narrative approach. Use dialog now and then. For example, the scene where Avijit's father gives him a punji might be stronger if we knew what was said. The same with Avijit's first encounter with Chandra.
-- Try to get inside the minds of your main characters. Let your readers know what Avijit is thinking. Probably you want what's called a restricted third person point of view. That's is to tell your story from Avijit's point of view, report his thoughts, but not those of other characters.
-- Seek strong, active voice verbs that paint pictures in your reader's minds. Minimize use of forms of the verb "to be." For example, you might change your sentence: "Poverty was a fact of life for many here, and yet there was a joy in this desperation" to something like: "People here fought poverty every day, but even in their desperation they found moments of joy." As I used to tell my students: "Make things do things to things."

Right On, Write On,

Mark
Thank you Mark, I will take another look at what I have so far and try to fix it. Thank you so much for the help and encouragement. I drafted another chapter over the weekend and I think I am coming close to the end. It started as a short story, but kept growing, so it's a short chapter book now for children? I have about 5 chapters so far, all short. I will look at them again this evening and see what I can do to make it more dynamic.

This helps a lot!
If the muses are telling you to keep writing then do it. Keep the story flowing as long as the ideas are coming. You can always revise a complete story later, but revising can keep you from completing.

So what suggestions do you have for the Belgrade Bull? Fair is far!
You know Mark, I would have to think a little to try to help with that. So let me read it slower now and think a bit and see if there is something that comes to mind. It's a great story and it is real Montana, which I imagine readers here will love. That's the main criticism some folks have for my children's book, why are you writing about India, why not Montana, or something you know. It's a fair point, but I like the adventure of researching and I like to travel period and other cultures fascinate me, which is why I studied languages. It's hard not to pursue things that make you happy. In many respects Montana is so much a theme for people here, I feel a little intimidated by it. I am Irish-American, I have grown-up and been educated abroad, so there are some fundamental gaps in the base knowledge I can offer on Montana/USA. I guess I could research, and maybe when I get this short book finished in draft format, I might just bite the bullet and try Montana. I imagine there are so many other brilliant Montana writers, whatever I would have to offer would fall woefully short of the mark.

I like the article, and I will read it Mark and think about it tonight when things are a little less hectic and see if I can find anything for the Belgrade Bull. Fair is fair!

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